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supported by 4 fans who also own “A Lunar Veteran's Guide to Re-entry”
This is the first album I found that really spoke to me as a young fem. From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle.
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Off-kilter Portland indie rockers make an unexpected return with a tight three-track EP, their first new release in 12 years.
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A Tiger Walks The Streets
by Supercaan
Atmospheric indie rock with the moody quality of dream pop and the gleaming edges of darkwave.
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Noise pop at its finest from this rambunctious Melbourne group that thrives on louder-than-loud guitars and belted-out vocals.
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An avant-garde odyssey from the Swiss group is a wavy, eerie melange of blues, folk, post-rock, and dub.
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Things To Keep Alive
by Horsebeach
Anthemic alternative rock with more than a bit of baggy brashness in the jangly riff and puddling vocals.
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A blend of rainbow-hued psychedelic synth-pop with glitchy, experimental interludes from Liverpool-based Tom McConnell.
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